James O’Keefe Says Journalists Never Release Raw Footage Because It Would “Tell A Different Story”
Written by Media Matters Staff
Published
Project Veritas Action, a group run by discredited right-wing videographer James O’Keefe, recently released two heavily edited videos purporting to reveal that Democratic operatives aligned with Hillary Clinton’s presidential campaign were “rigging the election.” O’Keefe is refusing to release the unedited footage his undercover operatives shot -- something his groups have routinely done in the past -- citing a need for journalistic integrity while simultaneously hinting that he had purposely edited the footage to “paint a specific picture.”
O’Keefe released his latest edited videos on October 17 and October 18 and then almost immediately began complaining that mainstream news outlets were ignoring his efforts due to “fear of retaliation” from a future Clinton administration. Several media figures were quick to point out that O’Keefe’s refusal to release unedited footage from the undercover videos made it difficult for reporters to vet and accurately report on the purported stings, and that O’Keefe’s past track record of misleadingly editing footage make these latest videos even less credible. ThinkProgress reported this afternoon that Republican presidential nominee Donald Trump’s private charitable foundation gave $10,000 to O’Keefe’s Project Veritas about a month before Trump declared his presidential candidacy, adding further unanswered questions about the videos’ legitimacy.
O’Keefe’s response to criticism was to argue that journalists never reveal “raw unedited materials” because “it’d probably paint a different picture.” His reaction seemed to simultaneously suggest that:
(a) he, like other journalists, would never reveal “unedited materials” (though he has before), and
(b) if reporters like himself did release those materials, they would reveal selective editing (like his materials have before).
In the post-debate spin room last night, O’Keefe again reiterated his claims that no “journalists” release their “raw, unedited notebooks” and that his refusal to release the raw footage from his latest video series is no different. Media Matters president Bradley Beychok captured O’Keefe’s explanation to Majority.FM’s Sam Seder, in which O’Keefe also appears to admit that his role as a “journalist” includes piecing the videos “together to tell a specific story”:
SAM SEDER: Are you going to release the full footage of your tapes?
JAMES O’KEEFE: Why don’t you ask all these journalists here if they’re going to release their full, raw, unedited notebooks?
SEDER: But it’s a different--
O’KEEFE: No, listen. Sam--
[CROSSTALK]
SEDER: James, you have to admit it’s a different thing--
O’KEEFE: Is it? Is it? Is it?
SEDER: Undercover video where it’s been shown, I mean, there were several reports that showed during the, that you have edited tapes in such a way to prove your--
O’KEEFE: Name one edit I’ve made. I want you to name right now, for your audience, name one specific edit I have made. Because I can debunk every one of those reports. Go ahead.
SEDER: Well, I mean, I haven’t [unintelligible].
O’KEEFE: OK, well I would like you to get back to me.
SEDER: But you can debunk that by releasing that video. Why wouldn’t you release all the video?
O’KEEFE: Because no journalist in their right mind would ever release their raw notebooks and if they did, Sam--
SEDER: Well, it’s not a notebook. It is caught on camera.
O’KEEFE: Let me tell you something: No journalist ever releases the raw, and the reason, and if they did, if all these journalists released the raw, you would see a different story. They piece words together to paint a specific portrait.
SEDER: So you paste the words together to paint--
O’KEEFE: No. I have video. I don’t just have words. I have video.
[...]
SEDER: Are you saying you did piece it together to paint a picture?
O’KEEFE: That’s what journalism is. Journalism is telling a story. And I will stand by every single edit. I will go to -- I will be in contempt of court to protect my undercover reporters because I’m standing for something greater than myself. I’m standing for the right of citizen journalists. No one here would ever dare release their raw. No one would.
Project Veritas routinely released hours of raw footage for a number of its alleged stings until mid-2014. O’Keefe says the group stopped doing this because “they’ll manufacture reasons why it’s doctored/fake.” In actuality, O’Keefe’s raw footage -- whether released seemingly voluntarily or not -- has repeatedly revealed egregious instances of selective editing over the years.
Project Veritas first made national headlines in 2009 with a series of heavily edited videos purporting to show staff members of the now-defunct nonprofit ACORN engaging in criminal behavior. Subsequent investigations revealed that the workers had engaged in no illegal activity, and that O’Keefe had employed “highly selective editing of reality.” He later had to settle a case filed by an ACORN staff member who was fired because of the edited videos, paying the man $100,000 and issuing a public apology.
O’Keefe’s own unedited footage negated a 2011 attempt to tell a specific story that an NPR executive had called members of the Tea Party “racist.” In reality, the executive had been quoting someone else; that part was conveniently edited out. “How quickly things seem to fall apart when James O’Keefe is the person who put them together,” concluded the Columbia Journalism Review. Washington Post writer Michael Gerson explained that O’Keefe had “manufactured an elaborate, alluring lie.”
Raw footage from a 2012 undercover video similarly disproved O’Keefe’s story that local officials in New York state were agreeing to waste taxpayer money on a fake company that dug holes and filled them up again. Instead, the footage just showed officials trying to be courteous to actors they believed were constituents in an absurd, manufactured situation.
O’Keefe stopped releasing his own unedited footage in May 2014, shortly after Media Matters used the raw footage from an edited Project Veritas video purporting to expose “Hollywood’s War On U.S. Energy” to debunk the video. O’Keefe’s group had cut parts of a secretly recorded conversation mid-sentence to paint a certain picture that two environmental producers were accepting funding from foreign oil interests; the unedited footage revealed they were actually discussing something completely different.
This May, Project Veritas Action released raw footage on YouTube for a video series purporting to show “voter fraud” committed by Bernie Sanders’ presidential campaign in New Hampshire, when prompted to do so by the state’s attorney general. At the time, O’Keefe made similar claims about journalistic integrity. This is how the group’s press release ended (emphasis added):
In order to assist the State of New Hampshire with their investigation of voter fraud and other election-related irregularities, PVA is releasing the raw footage associated with all three videos to Governor Hassan and the Attorney General she appointed, as well as making the footage available to the general public on a YouTube channel.
“When Supreme Court Justice Louis Brandeis said that ‘sunlight is said to be the best of disinfectants,’ he probably didn’t envision viral YouTube videos,” said PVA President James O’Keefe. “These videos provide ample evidence of criminal behavior to assist the state in the immediate investigation of electoral malfeasance. Hopefully, those caught engaging in voter fraud will receive the swift hand of justice. Likewise, the videos spotlight a significant legislative problem which could have easily been avoided if Governor Hassan hadn’t vetoed last year’s residency bill.”